Originally the diary of 4 months spent in Antarctica working as a documentary film sound recordist, this blog has evolved into an online repository for the thoughts, travels and trivia of the writer Richard Fleming. For McMurdo Station, Antarctica, and polar exploration, see August through December of '06. Currently you are likely to find in these pages chronicles of my actual and literary meanderings, as well as notes on my many other passions. Also, did I mention I wrote a book?
Showing posts with label dance your ass off. Show all posts
Showing posts with label dance your ass off. Show all posts
4/03/2010
The Whitest Second Line I've Ever Seen
In my ongoing delight with all things New Orleanian I jumped on the bicycle this morning and took a ride up to the Brooklyn Bridge, where a NOLA-style Second Line parade was advertised for 10AM, "giving the Big Apple a taste of the Big Easy." At the Brooklyn end of the walkway various NOLAphiles were already in evidence, sporting Saints t-shirts, Mardi Gras beads and the parasols that are twirled during these traditional parades. For those that don't know, a Second Line is a celebratory parade in which dancers lead a growing and organic throng of marchers through the streets of New Orleans, invariably accompanied by a brass band (the actual "second line" [Oops, apparently only sometimes: see the comments, where my good friend CP, NOLA historian extraordinaire, has kindly checked in to qualify this observation]). Second Lines are often organized as memorials, or as part of funerals. The most ornate and well-organized showcase the various social aid and pleasure clubs, black fraternal organizations which provided emergency loans and assistance to the post-slavery Afro-American citizenry, attempting to counterbalance the almost total lack of any social, civic and banking services extended to them by the ruling white elite.
The Brooklyn Bridge Second Line seemed to have no particular purpose beyond an expression of pure and communal Easter weekend joy. Under a piercing blue sky a small troupe of musicians and dancers tromped and pranced up the boardwalk, to the bemusement and smiles of gaggles of international tourists taking advantage of the New York's greatest single free attraction, a Saturday morning stroll across the bridge.
It was an event that, it seemed to me, could scarcely have happened without facebook and the recent revolution of social media. Would the hundreds of strangers gathered there, united only in their Mardi Gras memories or one-time residencies in the Crescent City, ever have responded in such numbers to an announcement on the back page of the Village Voice, or flyers posted on telephone poles? Unlikely. In the barrage of tweets and links that descend each day I can't even remember exactly where or how I stumbled onto the news, but there I was, and what a delightful East River spring morning it turned out to be!
2/14/2010
I love it here too
It broke my heart to leave New Orleans just four days before Mardi Gras, but as more than one person down there told me, unless you are a bartender it's hard to make a buck in that town. With a New York job offer starting fat Tuesday itself, I hightailed it out of the Crescent City, via Hale County, Alabama, where I interviewed the director of the Rural Studio, Andrew Freear, in the middle of a blizzard that pretty much closed the state down. That storm was heading east, right across Atlanta, and pretty much tracing my planned route along Interstate 85, so I gambled and headed north instead. Even though I-59 and I-81 cut up into the high country beside the Great Smoky Mountains, there was a blank patch on the radar map that made me think that might be the way out. And I wanted to get out. People in Alabama, to generalize wildly, seem to think that the way to behave in a car in a nasty snowfall is to drive as fast as possible so as to be out in it for the shortest possible time.
Another great low budget motel, run by another nice guy from the Indian subcontinent.
After a couple hours of crossed fingers as the snow continued to fall and the temperatures to drop, the counter-intuitive strategy of driving into the mountains to avoid the snow worked out, and halfway through Tennessee I found myself on a dry highway. Saturday morning I woke up in the Alpine Motel in Abingdon, Virginia, about as far as you can possibly be from New York City and still be in that state. Hitting the road at 7AM, I stopped only for gas and pimento cheese sandwiches, knocking out the 600 miles fast enough to get back to Brooklyn in time for sundown. I was all ready to collapse into bed in blissful exhaustion when I made the mistake of checking my email. "Disco Throwdown," it said. Tonight. Manhattan. Uh-oh, it's on!
Sender behind the decks
I know, you're thinking after two weeks of pre-Mardi Gras parties, brass bands, Superbowl shindigs, costumed madness and beads flying through the air, did I really have to go to another party? After six-hundred miles of road rash? The answer, of course, is yes. You see, the mighty DJ Jonny Sender of the immense Don Flan moved to the French Alps about a year ago, and as far as I know he hasn't been back in the USA since. But there he was, on the bill for the evening. Unmissable. I grabbed a disco nap to prepare to throwdown and around midnight Eva and the Wolfe and I cabbed it to Chambers Street. Sender's jaw dropped when he saw me, which was the desired effect, and then we proceeded to turn the party out. It was a joyous reunion, what with two-thirds of the Flan in the house; we were only missing "La" Cynthia. And Sender wrecked the set, proving that just because he now spends his days hanging out in the alpine snow with his sons, he hasn't lost any of his legendary house-rocking skills. Hopefully he'll start to commute. The Manhattan youth had no idea who they were messing with. I wore out a few women who came with lame boyfriends who couldn't or wouldn't dance, and we closed the joint down, burning a hole in the dancefloor on the back of a final triple-play from the Afrosound. Sender noted that we of the Don Flan were rocking the hell out of the cumbia groove fully fifteen years ago, at least a dozen years before it became an international sensation. No doubt. We were digging in crates when you were pooping in your nappies and we've forgotten about more records than you'll ever see, so step off. Yuh kyaan test.
Then, home, sweet home.
Real Vinyl: none of that Serato digi-nonsense. Sender is probably the last deejay out there shlepping a crate of records all the way from Geneva.
Sweaty mess. Photo possibly by Eva Campbell
Another great low budget motel, run by another nice guy from the Indian subcontinent.
After a couple hours of crossed fingers as the snow continued to fall and the temperatures to drop, the counter-intuitive strategy of driving into the mountains to avoid the snow worked out, and halfway through Tennessee I found myself on a dry highway. Saturday morning I woke up in the Alpine Motel in Abingdon, Virginia, about as far as you can possibly be from New York City and still be in that state. Hitting the road at 7AM, I stopped only for gas and pimento cheese sandwiches, knocking out the 600 miles fast enough to get back to Brooklyn in time for sundown. I was all ready to collapse into bed in blissful exhaustion when I made the mistake of checking my email. "Disco Throwdown," it said. Tonight. Manhattan. Uh-oh, it's on!
Sender behind the decks
I know, you're thinking after two weeks of pre-Mardi Gras parties, brass bands, Superbowl shindigs, costumed madness and beads flying through the air, did I really have to go to another party? After six-hundred miles of road rash? The answer, of course, is yes. You see, the mighty DJ Jonny Sender of the immense Don Flan moved to the French Alps about a year ago, and as far as I know he hasn't been back in the USA since. But there he was, on the bill for the evening. Unmissable. I grabbed a disco nap to prepare to throwdown and around midnight Eva and the Wolfe and I cabbed it to Chambers Street. Sender's jaw dropped when he saw me, which was the desired effect, and then we proceeded to turn the party out. It was a joyous reunion, what with two-thirds of the Flan in the house; we were only missing "La" Cynthia. And Sender wrecked the set, proving that just because he now spends his days hanging out in the alpine snow with his sons, he hasn't lost any of his legendary house-rocking skills. Hopefully he'll start to commute. The Manhattan youth had no idea who they were messing with. I wore out a few women who came with lame boyfriends who couldn't or wouldn't dance, and we closed the joint down, burning a hole in the dancefloor on the back of a final triple-play from the Afrosound. Sender noted that we of the Don Flan were rocking the hell out of the cumbia groove fully fifteen years ago, at least a dozen years before it became an international sensation. No doubt. We were digging in crates when you were pooping in your nappies and we've forgotten about more records than you'll ever see, so step off. Yuh kyaan test.
Then, home, sweet home.
Real Vinyl: none of that Serato digi-nonsense. Sender is probably the last deejay out there shlepping a crate of records all the way from Geneva.
8/12/2009
Retirement is overrated...

On the basis of a couple of ipod playlists he heard while over at my place for dinner, St. John Frizell of the fabulous Red Hook eat and drinkery Fort Defiance has humbled me by accepting my offer to become the Fort's house deejay. It's been a few years, or more, but I'm coming out of retirement, dusting off the crates, and sharpening my needles. If you are in Brooklyn this Friday night, August 14th, stop on in for our debut jamdown. Friday also happens to be St. John's birthday, so you can buy him one of his own splendid cocktails. See you there!
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